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| Document name | fabri navales Arelatis CIL 12, 00700 |
| Name variant (this document) | patron(i) / fabror(um) naval(ium) utric(u)lar(ioru |
| Standard name of the group | fabri navales Arelatis |
| English standard name | shipwrights |
| Standard reference | CIL 12, 00700 |
| References to other standard editions | CIL 12, 00700 = D 06985 = Carroll 2006: 251–52 = Liu no 22 |
| Source type | inscription |
| Type of inscription | funerary |
| Type of monument | |
| Main location | Arelate |
| Main province | Narbonensis |
| Main admininistrative district | |
| Post quem | 151 AD |
| Exact date | |
| Ante quem | 225 AD |
| Notes on dating | Date based on D.M. abbreviated), tria nomina, 'patrono optimo meritus', 'loquacity', relation to funerary monument erected by Pardala for his wife (CIL 12, 747), datable to second half second century (DM et Securitati, 'coniugi carissimae') Date by Liu (2009) 336, no. 22: early second century Date by Carroll (2006) 251-253 : second century Date by Leveau and Gascou (1996) 247, n. 31: early second century (DM + paleography, ref. to Hirschfeld) |
| Corporate designation | |
| Internal institutions | |
| Protectors | patroni |
| Collective action | |
| Collective assets | |
| Collective entitlements | |
| Public recognition and privileges | |
| Private duties and liabilities | |
| Receive | |
| Donate | |
| Notes | |
| Standard text of source |
D(is) M(anibus) / G(ai!) Paqui Optati / lib(erti) Pardalae IIIIII / Aug(ustali) col(oniae) Iul(iae) Pat(ernae) Ar(elatis) / patron(i) eiusdem / corpor(is) item patron(i) / fabror(um) naval(ium) utric(u)lar(iorum) / et centonar(iorum) C(aius) Paquius / Epigonus cum liberis suis / patrono optime merito
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| Translation |
To the God-Spirits of the Dead. Of Gaius Paquius Pardala, freedman of Optatus, sevir Augustalis of the colony of Iulia Paterna Arelate, patron of the same association, likewise patron of the shipwrights, the utriclarii, and the clothmen. Caius Paquius Epigonus with his children to his best and well-deserving patron.
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| Notes on the source |